
UB Heritage
Commissioned by/ Event
-
Category
Installation
Location
Ahmedabad
Year of Completion
2024
Lead Architect
Jwalant Mahadevwala
andblack Team
-
Design Collaborator
Anuj Anjaria
Photography Credits
-

UB Heritage
Commissioned by/ Event
-
Category
Installation
Location
Ahmedabad
Year of Completion
2024
Lead Architect
Jwalant Mahadevwala
andblack Team
-
Design Collaborator
Anuj Anjaria
Photography Credits
-
The sculpture exists in a perpetual state of transformation, where motion is not an aesthetic afterthought but an intrinsic function of its design. An evolving form, never static—challenging the very notion of permanence.

The sculpture is an articulation of infinity, both in geometry and behavior. Its asymmetrical configuration ensures constant variation in motion—two independent yet interdependent elements rotating in dynamic equilibrium. Fabricated in aluminum and stainless steel, the structure embraces wind as an active participant, allowing its form to evolve indefinitely.
At the core of its design is a study in balance. A tripod-inspired base, referencing collider kinetics, acts as a stabilizing force while permitting continuous motion. The two rotating elements, designed to shift independently, create a system where movement is neither predetermined nor arbitrary—an infinite sequence of spatial reconfigurations.
The Infinity Wind Sculpture resists stasis. Its movement is governed by environmental conditions, making it a site-specific response to wind direction, intensity, and turbulence. The deliberate non-symmetry amplifies visual dynamism, ensuring that at any given moment, the sculpture occupies a unique spatial condition—never repeating, always evolving.

MEDIA GALLERY


The sculpture exists in a perpetual state of transformation, where motion is not an aesthetic afterthought but an intrinsic function of its design. An evolving form, never static—challenging the very notion of permanence.

UB Heritage
2024
The sculpture is an articulation of infinity, both in geometry and behavior. Its asymmetrical configuration ensures constant variation in motion—two independent yet interdependent elements rotating in dynamic equilibrium. Fabricated in aluminum and stainless steel, the structure embraces wind as an active participant, allowing its form to evolve indefinitely.
The sculpture exists in a perpetual state of transformation, where motion is not an aesthetic afterthought but an intrinsic function of its design. An evolving form, never static—challenging the very notion of permanence.

UB Heritage
2024
At the core of its design is a study in balance. A tripod-inspired base, referencing collider kinetics, acts as a stabilizing force while permitting continuous motion. The two rotating elements, designed to shift independently, create a system where movement is neither predetermined nor arbitrary—an infinite sequence of spatial reconfigurations.
The sculpture exists in a perpetual state of transformation, where motion is not an aesthetic afterthought but an intrinsic function of its design. An evolving form, never static—challenging the very notion of permanence.

UB Heritage
2024
The Infinity Wind Sculpture resists stasis. Its movement is governed by environmental conditions, making it a site-specific response to wind direction, intensity, and turbulence. The deliberate non-symmetry amplifies visual dynamism, ensuring that at any given moment, the sculpture occupies a unique spatial condition—never repeating, always evolving.
